by Janine Sobeck, dramaturg
In our production meetings, we've had the privilege of seeing the evolution of the scenic design for The Servant of Two Masters. Designer Eric Fielding and his assistant Logan Hayden have been hard at work at creating a set that reflects director Stephanie Breinholt's concept for the show.
The design accentuates Stephanie's vision of a production where all the visual elements have a timeless feel, with no specific time period. Located in a traditional Italian piazza, the set combines different period from the forced perspective of historical design to the "Laugh-in" style of doors and windows. The combination of these different elements, design styles and periods, creates the perfect stage for this zany production.
Here's a picture of Eric's original design.
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Set Design courtesy of Eric Fielding[/caption]
And currently, if you walk through the tunnel of the HFAC, you can see the different elements under construction.
Throughout my time in Spain over the summer with my folk dance team, I had the opportunity to meet so many people from all around the world. From Mexico, Poland, Bulgaria, and of course Spain, we were able to meet so many amazing people and make so many amazing connections. We didn’t all speak the same language, many of them didn’t speak English and we didn’t speak many of their languages. So relying on the power of song and dance, we were able to connect through different aspects.
Often times when we think of gifts we think of monetary things, however, gifts can come in many shapes and forms. I had the opportunity to share many gifts this summer on a dance tour with another team I participate in, American Rhythm. We had five incredible weeks of singing, dancing, and performing all throughout Spain. Throughout my time I was able to meet so many people and while we didn’t share the same language or even cultural background, I was able to see them as children of God and people that I would now proudly call my friends. Here are a few excerpts from my personal journal entries highlighting some of those moments.