by Janine Sobeck, dramaturg
In our production meetings, we've had the privilege of seeing the evolution of the scenic design for The Servant of Two Masters. Designer Eric Fielding and his assistant Logan Hayden have been hard at work at creating a set that reflects director Stephanie Breinholt's concept for the show.
The design accentuates Stephanie's vision of a production where all the visual elements have a timeless feel, with no specific time period. Located in a traditional Italian piazza, the set combines different period from the forced perspective of historical design to the "Laugh-in" style of doors and windows. The combination of these different elements, design styles and periods, creates the perfect stage for this zany production.
Here's a picture of Eric's original design.
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Set Design courtesy of Eric Fielding[/caption]
And currently, if you walk through the tunnel of the HFAC, you can see the different elements under construction.
With a show as universal as Tchaikovsky’s Swan Lake Ballet, one would think that there wouldn’t be many unknowns to staging a production. However, director Ashley Parov had a vision to make this classic ballet more accessible to ballerinas of all ages. Instead of producing a typical 3-hour-long ballet, Ashley imagined an hour-long family-friendly piece. How then, do you fill in the gaps of the story?
Dramaturgs Darci Ramirez and Andrew Elijah Schindler invited scholars from the BYU Region Department to join us in discussions about the Jesus Christ of Godspell. Multiple similar forums will be held in connection with this production.