Cymbeline Post-Mortem Skip to main content
2013 - 2014 Season

Cymbeline Post-Mortem

by Nicholas E. Sheets, dramaturg

Now that the production crew held their post-mortem, Cymbeline is officially over. What a fun ride this has been, especially as you have interacted with the show via the 4thWALL, in schools, at BYU and the many other locations we took this show. I hope you see how committed we are to bringing quality theater to our community and I personally hope you felt that we tried hard to help your voice be heard through blog postings, interacting with the actors and all the wonderful feedback we’ve received.

In our post-mortems at BYU we discuss the several aspects we felt were challenging and engaging, and then provide our thoughts as to what could make our shows even better next year. In these meetings we have various faculty members who oversaw us students, and after they discuss their viewpoints, we join them at the table. This is a great opportunity to reflect on the past show and everything we went through to provide quality theater experiences to our community.

As dramaturg, I was especially grateful to create teachers packets for the schools to use before we arrived. It was interesting to tackle Common Core Standards as I looked for ways to legitimize my material for an elementary/middle-school classroom. I also wanted students to see how much fun theater can be. I couldn’t have done any of this without help from the director, Teresa Love. Also, I was super grateful to see the autograph sections of the study guide used to such a great extent that many children were able to approach the actors and find inspiration in theater. My time at BYU is now at an end, but I hope you will always know that BYU’s Theater for Young Audiences, as well as all future dramaturgs, are committed to you, the community.

Thank you again,

Nicholas E. Sheets

Related Articles

data-content-type="article"

Moving to the Cherry Orchard

March 20, 2025 08:14 PM
After months of rehearsing on a taped cement floor with acting blocks in place of benches and frames in place of doors, the company finally moves to the theatre space, to a stage with levels and furniture, working doors and chairs out in the audience. The beloved cherry orchard feels so much more real now.
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

“That’s How Things Are”: The Weight of Waiting in The Cherry Orchard

March 20, 2025 03:10 PM
Near the end of his life, Anton Chekhov who had suffered from tuberculosis and depression throughout his life, decided to move to the seaside town of Yalta in order to heal. On January 18, 1904, he wrote to his wife, the actress Olga Knipper, “I’m writing The Cherry Orchard very slowly. Sometimes I feel it’s a success, sometimes a failure…It’s all very ordinary, but that’s how things are, unfortunately.”
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

Study Guide for The Cherry Orchard

March 11, 2025 10:53 AM
For this production we are trying something new! You'll still see some dramaturgical information in your printed program, including the dramaturg's note, "The Weight of Waiting in The Cherry Orchard."
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=