Skip to main content
2012-2013 Season

Creating a Character

by Ariel Mitchell, dramaturg

One of the hardest things for any actor is creating a character. The actor has to be able to separate themselves and their mannerisms from the mannerisms of the person they are trying to portray. This is especially hard when trying to depict a real person that you have met and interviewed. In order to differentiate yourself from a character the easiest thing to do is to heighten their ticks (fiddling with a necklace, drumming fingers, running a hand through their hair, etc.) and try to match their vocal tone and posture.

Unfortunately, heightening these aspects of a person often come off as comical. Whenever is something is exaggerated, especially by some one who is an inexperienced actor or isn’t very perceptive to body language, it becomes a sort of mockery. That is not what we are striving for in Gone Missing and The Cleverest Thief.

In our production, nine actors will portray over sixty characters in the span of two hours. How will they differentiate themselves from the characters they are playing? How will they distinguish their different characters from each other? Can they accomplish an honest depiction of real people?

When the representative from The Civilians company (group that devised/wrote Gone Missing), Emily Ackerman, workshopped with us she taught us some tricks. The first exercise she introduced involved status, or how a person carries themselves. A person of high status (social rank, energy, or happiness level) carries themselves with good posture and a spring in their step. As the status decreases people tend to carry themselves more curled in on themselves, as if protecting, with slumped shoulders and their gaze on the floor. Emily asked us to walk around the room and she’d say a number from 1 (low) to 10 (high) and we’d have to depict how a person of that status would look. She then asked us who a person of high status would be (we came up with celebrity, royalty, overconfident jock) and who a person of low status would be (we came up with street urchin, abused woman, someone who was depressed). Through this exercise we came up with a range of emotion that we could depict physically. We went through this process for ticks as well.

Finally Emily asked us to create a character with a defined status (from 1-10), distinct way of carrying themselves, and a defined tick (how strong it was 1-10). We then interacted with each other trying to see if we could guess the choices that our classmates made.

See if you can guess who the character is in this video. Who is it? What is their status? How does it reflect their age, gender, and how they feel about themselves? Do you believe that this character is a real person?
   

Related Articles

data-content-type="article"
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

Simple is Best

July 26, 2022 12:00 AM
Simple is Best [caption id="" align="aligncenter" width="640"] Indeed.[/caption] by Adam White, dramaturg I write this blog post on the day of final dress rehearsal, on the eve of opening night! Everyone involved in this production of A Man for All Seasons has done marvelous work; the set and costuming and make up are all beautiful, and the cast is eager to put their performance in front of a live audience. I guess one could wonder if a dramaturg would give anything but a glowing report of their play that's about to go up, but quite truthfully: I'm eager for you to see this play! On the subject of wanting you to see our production of A Man For All Seasons, I want to relay to you an interesting experience I had just two day ago. Every BYUarts theatre production gets a promotional video, and I was asked by the video makers in charge of the promotional video to be interviewed for the piece on A Man for All Seasons. I accepted, and when I was in the interview, they had two questions for me: 1.) What is A Man for All Seasons about? 2.) Why should people go see A Man for All Seasons? As a dramaturg, I had a great answer for number one. Summarizing the events of this play in an interesting way was no problem. But that second question? That question gave me the hardest time! In the interview moment I was so flustered by my lack of an a concise answer. I quickly babbled out some gibberish to the camera man, after which I apologized and told him if he needed something more intelligible he shouldn't hesitate to call me back. Needless to say I was pretty embarrassed after the experience. Here's the thing: I'm the dramaturgy for this show. I should have some insight as to why people should go see this play (and I do). As I've thought about this experience and about my work as a dramaturg, I've come to the realize that in this situation what I needed was simplicity. Simple is best. See, during that brief interview with the promotional video guys, I was trying to make up a reason for people to see this show that sounded meaningful, or at least scholarly. That wasn't the right attitude for me at all because it meant that I was reaching beyond the play, maybe for selfish reasons, to lend what I deemed to be credibility to a piece of art that, maybe, doesn't need to be legitimized at all. I was being long-winded and downright silly. What the play really needed was for me to speak its simple 'truth.' To redeem myself a little bit and to put my new motto for dramaturgy into practice, I will tell you why I think people should see A Man for All Seasons. I firmly believe, in the words of Oscar Wilde, that "Life imitates art far more than art imitates Life." This play, this conflict between Thomas More, his family, and King Henry VIII, informs our understanding of what it means to have a conscience. Bolt challenges us to explore what it means to have an integrity and what having integrity means in our most intimate relationships. Also revealed in this play is the corrupting influence of political power. I think that every person grapples with these themes, experiences, and issues.A Man for All Seasons is an important play for people to see. The promotional video guys didn't end up using my interview for the promotional video. Frankly, I feel so relieved; it was awful. May you forego the trappings of intelligent-sounding language the next time you are in an interview. Enjoy the show!
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

Welcome to Zuckerman's Farm!

July 26, 2022 12:00 AM
Come one, come all! Come and see Zuckerman's famous pig! He is quite a sight to see, I do tell you. Please, step right up to get get a better look.
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=