Skip to main content
2012-2013 Season

Creating a Character

by Ariel Mitchell, dramaturg

One of the hardest things for any actor is creating a character. The actor has to be able to separate themselves and their mannerisms from the mannerisms of the person they are trying to portray. This is especially hard when trying to depict a real person that you have met and interviewed. In order to differentiate yourself from a character the easiest thing to do is to heighten their ticks (fiddling with a necklace, drumming fingers, running a hand through their hair, etc.) and try to match their vocal tone and posture.

Unfortunately, heightening these aspects of a person often come off as comical. Whenever is something is exaggerated, especially by some one who is an inexperienced actor or isn’t very perceptive to body language, it becomes a sort of mockery. That is not what we are striving for in Gone Missing and The Cleverest Thief.

In our production, nine actors will portray over sixty characters in the span of two hours. How will they differentiate themselves from the characters they are playing? How will they distinguish their different characters from each other? Can they accomplish an honest depiction of real people?

When the representative from The Civilians company (group that devised/wrote Gone Missing), Emily Ackerman, workshopped with us she taught us some tricks. The first exercise she introduced involved status, or how a person carries themselves. A person of high status (social rank, energy, or happiness level) carries themselves with good posture and a spring in their step. As the status decreases people tend to carry themselves more curled in on themselves, as if protecting, with slumped shoulders and their gaze on the floor. Emily asked us to walk around the room and she’d say a number from 1 (low) to 10 (high) and we’d have to depict how a person of that status would look. She then asked us who a person of high status would be (we came up with celebrity, royalty, overconfident jock) and who a person of low status would be (we came up with street urchin, abused woman, someone who was depressed). Through this exercise we came up with a range of emotion that we could depict physically. We went through this process for ticks as well.

Finally Emily asked us to create a character with a defined status (from 1-10), distinct way of carrying themselves, and a defined tick (how strong it was 1-10). We then interacted with each other trying to see if we could guess the choices that our classmates made.

See if you can guess who the character is in this video. Who is it? What is their status? How does it reflect their age, gender, and how they feel about themselves? Do you believe that this character is a real person?
   

Related Articles

data-content-type="article"

Welcome to "The Light in the Piazza"

July 17, 2013 12:00 AM
by Kristen Leinbach, Dramaturg
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

The Journey Begins

July 15, 2013 12:00 AM
by Lola Danielson, dramaturg Welcome to the magical world of Hans Christian Andersen’s The Nightingale. This fairytale is set in China during a time of emperors, generals and witches. It is a tale of friendship, overcoming pride and discovering what truly matters in life. My name is Lola Danielson, the dramaturg for The Nightingale, and I will be your guide as we navigate through the production process for the show. The directors for The Nightingale, Julia Ashworth and Kori Wakamatsu, wanted to create a unique experience for this Theatre for Young Audience production – a combination of East meets West. So, over the next few weeks, I will be sharing information with you about China and not only how it has influenced the world as we know it today, but also how China has been changed by the rest of the world. We will embark on a journey to discover more about the author, Hans Christian Andersen, and take a look at the actors’ and directors’ experiences when they traveled to China. Some of the actors will share pictures and stories from their trip, so keep following the posts for The Nightingale! It is my hope that as you embark on this journey through China with us that we can bring some of the wonderful and mysterious history of China to you, as well as some of those special feelings that only come when you encounter something new, rare and beautiful. Please join us as we take the winding journey on the wide and majestic Yangtze River, climb the Great Wall of China and embark into the fairytale land of Han’s Christian Andersen’s The Nightingale.
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

Welcome to the 2013-2014 Season!

July 09, 2013 12:00 AM
Welcome back to the 4th WALL for BYU’s 2013-2014 theatre season. The 4th WALL will be your one stop shop for all sorts of insider information about our upcoming productions, which include:
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=