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2012-2013 Season

Creating a Character

by Ariel Mitchell, dramaturg

One of the hardest things for any actor is creating a character. The actor has to be able to separate themselves and their mannerisms from the mannerisms of the person they are trying to portray. This is especially hard when trying to depict a real person that you have met and interviewed. In order to differentiate yourself from a character the easiest thing to do is to heighten their ticks (fiddling with a necklace, drumming fingers, running a hand through their hair, etc.) and try to match their vocal tone and posture.

Unfortunately, heightening these aspects of a person often come off as comical. Whenever is something is exaggerated, especially by some one who is an inexperienced actor or isn’t very perceptive to body language, it becomes a sort of mockery. That is not what we are striving for in Gone Missing and The Cleverest Thief.

In our production, nine actors will portray over sixty characters in the span of two hours. How will they differentiate themselves from the characters they are playing? How will they distinguish their different characters from each other? Can they accomplish an honest depiction of real people?

When the representative from The Civilians company (group that devised/wrote Gone Missing), Emily Ackerman, workshopped with us she taught us some tricks. The first exercise she introduced involved status, or how a person carries themselves. A person of high status (social rank, energy, or happiness level) carries themselves with good posture and a spring in their step. As the status decreases people tend to carry themselves more curled in on themselves, as if protecting, with slumped shoulders and their gaze on the floor. Emily asked us to walk around the room and she’d say a number from 1 (low) to 10 (high) and we’d have to depict how a person of that status would look. She then asked us who a person of high status would be (we came up with celebrity, royalty, overconfident jock) and who a person of low status would be (we came up with street urchin, abused woman, someone who was depressed). Through this exercise we came up with a range of emotion that we could depict physically. We went through this process for ticks as well.

Finally Emily asked us to create a character with a defined status (from 1-10), distinct way of carrying themselves, and a defined tick (how strong it was 1-10). We then interacted with each other trying to see if we could guess the choices that our classmates made.

See if you can guess who the character is in this video. Who is it? What is their status? How does it reflect their age, gender, and how they feel about themselves? Do you believe that this character is a real person?
   

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What in the blazin' is a Twelfth Night?

January 19, 2016 12:00 AM
by Christian Riboldi, dramaturg Welcome back to the 4th Wall. Today we're going to cover the basic overview of the plot for Twelfth Night. Unlike Romeo and Juliet, the plot for Twelfth Night might not be as widely known to most of you. I know I had to brush up my Shakespeare in order to remember. First let's cover our basic characters. Orsino: He's a...you guessed it, duke, who is in love with Olivia. Olivia: A wealthy maid who is the fairest of them all. Viola: Twin to Sebastian and main heroine of the story. When dressed as a boy she goes by the name Cesario. Sebastian: Twin to Viola. Get's lost at he very beginning of the story. Malvolio: Servant to Viola and in charge of the other servants. A little on the snooty side. Sir Toby: Olivia's Uncle. He's a little loud and good friends with Feste and Maria. Feste: The town fool. In this town he is a man of many talents. Maria: Olivia's hand maiden, though she quite spunky. [caption id="" align="alignnone" width="416"] Joseph Timms as Sebastian (left) and Samuel Barnett as Viola (right) in the Globe Theater.[/caption] There you have it. In this cutting of our show those are all of the characters. The show starts out with Sebastian and Viola getting separated by a storm. The now desperate Viola decides that to make it on her own she will need to find work, which she can't to as a woman, so she dresses as a man and calls herself Cesario. Cesario get's hired by Orsino and is told to run an errand to tell the fair Olivia that Orsino is still in love with her. Viola does this but begins to realize that she likes Orsino, and wishes that he liked her back. While at Olivia's, Viola/Cesario is so good at wooing that Olivia begins to fall for Cesario. Meanwhile Malvolio is telling off all of the servants and Sir Toby for being rowdy, so Sir Toby, Feste, and Maria decide to play a trick on Malvolio. Maria writes a letter pretending she is Olivia declaring her love for Malvolio. The letter convinces Malvolio that Olivia is really in love with him. Sebastian has now finally found his way back after the storm. When he enters the town Olivia throws herself at him, thinking that he is Cesario and tells him that they need to get married right now. Sebastian is surprised but goes along with it because it's not everyday that he has women begging to marry him. In the end Malvolio makes a fool of himself, Sebastian and Viola reunite, and Viola and Orsino get married. Finally after all of this you may be wondering to yourself, what in the world does this have to do with a Twelfth Night? A lot of people wonder the same thing. I think it would be best to let one of our character explain what it seems to be referring to. This is a snippet from an explanation Malvolio offers at the beginning or our version of the show. "Actually it’s called twelfth night as a reference to the twelfth night after Christmas day, called the Eve of the Feast of Epiphany, which is a carnvialesque celebration where roles were reversed, based on the ancient Roman festival of Staurnalia. Scholars argue about whether or not Shakespeare wrote it to celebrate the actual holiday, or if the title just refers to the topsy-turvy world suggested by this beloved festival – an interpretation that is supported by the subtitle, “What Your Will.” There you have it folks. Now that you know what Twelfth Night is about you can recognize the story when you see it. Next time we're going to be talking about some different adaptations of that this play has gone through. Until next time.
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Tippin’ the hat to the Ol’ Taleteller

January 12, 2016 10:53 AM
Welcome back to the 4th wall. The purpose of these blog posts is provide our audiences with inside information about these productions to enhance their experience with the show. This may include information about rehearsals, background research, and even sneak peaks into what the show will look like.
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Tippin' the hat to the Ol' Taleteller

January 12, 2016 12:00 AM
by Christian Riboldi, dramaturg Welcome back to the 4th wall. The purpose of these blog posts is provide our audiences with inside information about these productions to enhance their experience with the show. This may include information about rehearsals, background research, and even sneak peaks into what the show will look like. As you know, recently we were able to begin our rehearsals for Twelfth Night. This week I'd like to share some little known facts about Shakespeare and his life. I hope that in preparation for Twelfth Night, getting to know Shakespeare a little better will help all of us appreciate his masterful work more. So let's take a moment and get to know the Bard of Avon. William Shakespeare was born in a town called Stratford-upon-Avon on or near April 23rd 1564. William was the third child of eight in his family. His parents most likely couldn’t read or write. William got married at age 18 to Anne Hathaway; they had 8 children with one set of twins. It’s believed that William started his career as an actor, and he acted in many of his own shows. In the time of William Shakespeare, a bard was a poet who shared his poems by reciting them to others. One of Shakespeare’s common titles is "The Great Bard" because he his seen by many as the most influential writer and storyteller in the English language. Shakespeare was a literary genius. In his time, some of the laborers had a vocabulary of 300 words of less. Shakespeare, on the other hand, used 28,829 unique word forms in his works. A wordsmith is an inventor of words. Shakespeare invented over 1700 words that we now use in our everyday language. As a poet and playwright, Shakespeare wrote 154 sonnets and 37 plays. Most of Shakespeare’s writing is poetic. Shakespeare wrote most of his plays in a poetic style called iambic pentameter. Iambic pentameter is a style of writing where every line has exactly 10 syllables, and every other syllable is a little stronger than the one before it. For example, the opening line of Twelfth Night is: “If music be the food of love, play on;” Shakespeare’s sonnets usually rhyme and are all exactly 14 lines longs. A successful businessman, Shakespeare bought expensive property throughout Stratford, and was a co-owner of the Globe Theater. Well there you have it—a few interesting facts about one of the greatest English writers of all time. Next time we'll be talking a little bit more about Twelfth Night and finding out why the show is called that in the first place. Until next time.
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