Chariots of Fire - American Premiere Skip to main content
2016-2017 Season

Chariots of Fire - American Premiere

By Shelley Graham, dramaturg

June 24, 1924. The headline of the Los Angeles Times reads: "Did You Know That Famous Scotch Sprinter Will Not Run in the Olympic 100 Metres Because The Trials Are Run on Sunday."

The famous sprinter mentioned in the headline was none other than Eric Liddell, otherwise known as “The Flying Scotsman,” and his decision not to run in the Olympic trials for his strongest event in order to honor the Sabbath was a decision that was noticed around the world. The story of his commitment to spirituality, and his spirit of competition, is told in the 1981 film, Chariots of Fire. That film was adapted for the stage in 2012, and now makes its American premiere on the Pardoe Stage at Brigham Young University.

Eric Liddell's story was told in newspapers across the world
Eric Liddell's story was told in newspapers across the world

In our 4th Wall Dramaturgy blog for this production, over the next few weeks you will learn how tricky it is to tell the story of Olympic runners on a stage that isn’t quite big enough to hold actual 100 m. races; how rewarding it is to explore the tales of faith and determination in running and religion; and how delightful it is to share those stories with the BYU community. We hope you’ll come back often in the days and weeks leading up to the opening of this American premiere, and that you’ll enjoy learning about the process of creating this athletic, theatrical spectacle.

Related Articles

data-content-type="article"

Simple is Best

July 26, 2022 12:00 AM
Simple is Best [caption id="" align="aligncenter" width="640"] Indeed.[/caption] by Adam White, dramaturg I write this blog post on the day of final dress rehearsal, on the eve of opening night! Everyone involved in this production of A Man for All Seasons has done marvelous work; the set and costuming and make up are all beautiful, and the cast is eager to put their performance in front of a live audience. I guess one could wonder if a dramaturg would give anything but a glowing report of their play that's about to go up, but quite truthfully: I'm eager for you to see this play! On the subject of wanting you to see our production of A Man For All Seasons, I want to relay to you an interesting experience I had just two day ago. Every BYUarts theatre production gets a promotional video, and I was asked by the video makers in charge of the promotional video to be interviewed for the piece on A Man for All Seasons. I accepted, and when I was in the interview, they had two questions for me: 1.) What is A Man for All Seasons about? 2.) Why should people go see A Man for All Seasons? As a dramaturg, I had a great answer for number one. Summarizing the events of this play in an interesting way was no problem. But that second question? That question gave me the hardest time! In the interview moment I was so flustered by my lack of an a concise answer. I quickly babbled out some gibberish to the camera man, after which I apologized and told him if he needed something more intelligible he shouldn't hesitate to call me back. Needless to say I was pretty embarrassed after the experience. Here's the thing: I'm the dramaturgy for this show. I should have some insight as to why people should go see this play (and I do). As I've thought about this experience and about my work as a dramaturg, I've come to the realize that in this situation what I needed was simplicity. Simple is best. See, during that brief interview with the promotional video guys, I was trying to make up a reason for people to see this show that sounded meaningful, or at least scholarly. That wasn't the right attitude for me at all because it meant that I was reaching beyond the play, maybe for selfish reasons, to lend what I deemed to be credibility to a piece of art that, maybe, doesn't need to be legitimized at all. I was being long-winded and downright silly. What the play really needed was for me to speak its simple 'truth.' To redeem myself a little bit and to put my new motto for dramaturgy into practice, I will tell you why I think people should see A Man for All Seasons. I firmly believe, in the words of Oscar Wilde, that "Life imitates art far more than art imitates Life." This play, this conflict between Thomas More, his family, and King Henry VIII, informs our understanding of what it means to have a conscience. Bolt challenges us to explore what it means to have an integrity and what having integrity means in our most intimate relationships. Also revealed in this play is the corrupting influence of political power. I think that every person grapples with these themes, experiences, and issues.A Man for All Seasons is an important play for people to see. The promotional video guys didn't end up using my interview for the promotional video. Frankly, I feel so relieved; it was awful. May you forego the trappings of intelligent-sounding language the next time you are in an interview. Enjoy the show!
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

Come And See Us!

July 26, 2022 12:00 AM
[caption id="attachment_4573" align="alignleft" width="222"] Mother Courage Counsels her children to "be careful," in the war.[/caption] Hello all you 4th Wall Fans! Mother Courage and Her Children opened on Friday to a major success. Tickets are still available for other showings, but they are going fast. You can buy them online by visiting this link: http://bit.ly/1WTCpMW See you soon!
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

Meet the Cast - Rachelle Elbert & Jack Shapiro

July 26, 2022 12:00 AM
By Kristen Leinbach, Dramaturg As we continue to move through the rehearsal process, it still amazes how much we are learning from this show. Rachelle Elbert and Jack Shapiro, members of the ensemble, shared the following about their experiences with the show... "The Light in the Piazza has been an escape for me (Rachelle Elbert). Being surrounded by beautiful music, passionate characters and actors, and the vivacity of the Italian culture has provided an insight into a whole new world that soothes the heart and soul. I have had the chance to experience both the bold Italian life and the sweet southern innocence as an ensemble member and Clara's understudy. As I've discovered who Clara is, her light and purity has slowly peeled away the layers and walls that I've built up throughout my own life. I feel a new light in my life, a new found appreciation for the unknown, and find beauty and sympathy in the strangest of places. I have become more comfortable with vulnerability and free expression and it's literally the greatest feeling in the world. Being apart of the beautiful production Light in the Piazza has been emotionally and spiritually fulfilling, and has opened my eyes to a realm of theater I never knew before." [caption id="" align="aligncenter" width="576"] Piazza Rehearsal - Right to Left
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=