Skip to main content
2016-2017 Season

Birth of the Actor Athlete

What did it take to be a cast member of this show? Time, hard work, and a lot of sweat. But, that is to be expected when your show is about Olympic runners. When you have a passion for something, you strive to be as good as you can at it. When your passion is acting, sometimes you learn new skills in order to play a part. Our actors embraced this and became actor athletes.

In addition to learning their lines, blocking, and working to understand their characters, our actor athletes took part in training to get in the physical shape of a runner. They were given training schedules for every day of the week and met together at 6:00 AM  twice a week to exercise together.

But how does all this work translate to the stage?

Choreographer Becky Phillips gives us some insight into her process.

She says “I tried to watch running on youtube and watch track meet clips and watch the movie and take the movements that runners use to abstract them. With the movie there are slow motion clips and we can’t do that, but you have to play with space and time to make that happen."

“The performers are part of the process. They are helping to create it because I can’t really do everyone’s part and see if I like it without experimenting with them and seeing how it works."

“Even just a simple movement has this power when they all do it together. It can be just a simple step or move, but when you have all these bodies and all of their energy, it’s really powerful even though it’s simple."

“We have people in the cast that are dancers to so they can really do movements that aren’t just running. In the opening we want to showcase the things that they can do. They can tumble, they can leap, and do things that show their athleticism and we are abstracting images from other sports into that opening sequence. We want to celebrate the athleticism of these performers and capture that spirit of the athletic training and celebrate what the body can do”.

With the physical exercise, the dance choreography, and the demands of character creation, these actor athletes have had quite a task before them!

See this celebration of sport, dance, and physicality starting March 31st!  

Related Articles

data-content-type="article"

Fiddler on the Roof: Balancing Yesterday and Today

January 21, 2022 06:49 PM
If Anatevka is like a fiddler balancing on a roof, then the show Fiddler on the Roof also performs an impressive balancing act between its cultural specificity and enduring appeal. Whether or not audiences can relate to the practice of arraigned marriages in Orthodox Ashkenazi Jewish communities, they can understand the tension between personal desire and the social expectations around marriage. The relatability of Tevye’s world—made of hay and cows but also the love of family and dreams of wealth—stems from its timelessness. As a show that premiered 78 years ago and takes place half a century before that, Fiddler on the Roof’s greatest feat is that time does not chip at its relevance.
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

Fiddler Study Guide Trivia – Answer Key

January 20, 2022 07:14 PM
Here are the answers to the study guide’s trivia questions. How many did you get right?
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

Tevye the Dairyman

January 17, 2022 07:25 PM
Before there was Fiddler on the Roof there was the collection of short stories by Sholom Aleichem called Tevye the Dairyman. These stories were highly popular which led their to being adapted into the musical we know and love today. That being said there are some significant differences between Fiddler on the Roof and Tevye the Dairyman that I came across while I was preparing research for the actors about the source text for this musical. One major difference that shocked me was that Aleichem wrote the character Yente, the matchmaker, as a man named Ephraim. I was quite surprised to find this as Yente has become such a well-known name in Yiddish English to mean a woman who is a bit of a gossip or a busy body. The use of this word doesn’t date back to Aleichem, as I expected, or even Fiddler. The origin of Yente’s meaning dates back to Yiddish Theatre in the 1920s and a series of comedic sketches that were written about a woman who was the town’s busybody (for more info about the origin of Yente check out this website).
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=