Suffrage Playbill Skip to main content
2021-2022 Season

Suffrage Playbill

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Suffrage Playbill

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Cast

Ruth: Juniper Taylor

Frances: Claire Eyestone

Crew

Director: Emily Trejo                                                                     

Stage Manager: Tiffany Irizarry  

Costume Designer: Claire Eyestone   

Hair and Makeup Designer: Becca Christiansen   

Sound Designer and Foley Artist: Tiffany Gibbons    

Composer: Scott Buckley

Dramaturg: Sammy Daynes  

Assistant Dramaturg: Lisa Eardley

Director’s Note

As a theatre maker, it is my goal to present people who typically are not represented on the stage. When I first interacted with Suffrage it was clear to me that this was a story that needed to be shared with a larger audience. Women aren’t typically presented as strong powerful women but here we had two very different women who have a strong love for different things. Individuality and a family are things that many modern women struggle with. It is hard to believe that these women from the 1800s and women today are still dealing with these same issues. I hope that from this show we can learn to accept both of these identities and be able to lead the lives we want without fear of ridicule from those around us.

Emily Trejo

Playwright’s Note

The fight for women’s rights was nowhere hotter or more fraught than in territorial Utah in the late 1800s. Having granted women suffrage in 1870 – second among the would-be states only to neighboring Wyoming – Utah saw its women stripped of their voting rights by a Congress eager to use the issue to stamp out what it considered a burgeoning evil: Mormonism, and the practice of polygamy. Suffrage explores the impact of this confluence of battles through the eyes of two women – sister wives torn between the Law and their God.

Jenifer Nii

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Related Articles

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Moving to the Cherry Orchard

March 20, 2025 08:14 PM
After months of rehearsing on a taped cement floor with acting blocks in place of benches and frames in place of doors, the company finally moves to the theatre space, to a stage with levels and furniture, working doors and chairs out in the audience. The beloved cherry orchard feels so much more real now.
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“That’s How Things Are”: The Weight of Waiting in The Cherry Orchard

March 20, 2025 03:10 PM
Near the end of his life, Anton Chekhov who had suffered from tuberculosis and depression throughout his life, decided to move to the seaside town of Yalta in order to heal. On January 18, 1904, he wrote to his wife, the actress Olga Knipper, “I’m writing The Cherry Orchard very slowly. Sometimes I feel it’s a success, sometimes a failure…It’s all very ordinary, but that’s how things are, unfortunately.”
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Study Guide for The Cherry Orchard

March 11, 2025 10:53 AM
For this production we are trying something new! You'll still see some dramaturgical information in your printed program, including the dramaturg's note, "The Weight of Waiting in The Cherry Orchard."
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