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2021-2022 Season

Julius Caesar Dramaturgy Resources

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This project is multiple years in the making, having been initially proposed for the BYU 2020-21 season. Originally, it was going to be my project as a faculty dramaturg. And I began working on a script adaptation that would feature women and build a more gender-neutral world in which both men and women would hold power. The pandemic forced a postponement for a year, and I paused my work on an adaptation.

One year later, I resumed adaptation work with our guest director, Linda Hartzell. As I finished the first few drafts of the adaptation, I met a senior student majoring in history, Emme Corbett, who had just discovered dramaturgy and was eager for production experience before graduation. I happily added her to my dramaturgy team, and we began working on historical and cultural research for performance. Not long after Emme joined the team, Angela Moster, a graduate student in the theatre department and a native Italian, was looking for another project to join while she finished her graduate studies. I was naturally happy to add her to the dramaturgy team as well.

The three of us then began working in summer 2021 to build a dramaturgy website that would serve as a resource for our actors, designers, and potentially even the audience. We built an interactive glossary as well as a pronunciation guide, a collection of videos, and resources on the various time periods explored in the production. In our group text conversations over the summer, we shared this website, asked questions, discovered answers, and generated new questions. We invite you now to take a tour of our website and the world of this play.

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Opening Night of Midsummer Night's Dream!

July 26, 2022 12:00 AM
Last week, A Midsummer Night’s Dream opened in the Nelke Theatre and it was a great success! Eric and I were pleased to be a part of the opening night and celebrate not only the opening night of the production, but also the 40th anniversary of the Brigham Young University Young Company. In order to set the tone of the evening, patrons were encouraged to check out the lobby display that Eric and I had created for the show. We chose to do a puppet making station, aptly named “The Mechanicals Puppet Making Station” where guests and participants could make their own puppet out of a sock or paper bag. Other craft supplies were provided for the participants—allowing them to use their imagination and create a unique puppet that they could take home. Creating such a lobby display, we hoped to provide patrons, and especially children, with an opportunity to use their imagination and create something special, as well as connect with the style of the production before seeing the show. The role of puppetry is crucial to this adaptation of Shakespeare’s Midsummer Night’s Dream—and we wanted to capture this and incorporate it whatever lobby display we chose. The actor’s hard work and rehearsal, as well as that of the production team, paid off—they did a marvelous job in telling the story of these loopy lovers and the adventures that take place in the magical forest. The puppetry skills and acting chops of the actors, the enchanting costumes, simple set design, and energy from the whole cast was thoroughly enjoyed by the very diverse and supportive audience. It was a packed house: if not sold out, very close. And this definitely contributed to the energetic feeling that pervaded the evening. Perhaps it was the presence of so many alumni from the Young Company that had come to support the production and celebrate the 40th anniversary of the formation of Young Company. Among the guests at the premier were Harold Oaks, founder of the BYU Young Company. Following the play, a presentation was made outlining and honoring the history and legacy of Young Company. Young Company has done an outstanding job for the last 40 years in providing quality theatre (adaptations and original works alike) for children that may not be exposed to the performing arts. A wonderful reception followed the presentation and was well enjoyed by cast and crew alike. A Midsummer Night’s Dream closes at BYU this Saturday, the 14th. Make sure to get your tickets soon and catch this unique production while you can! It will then go on tour throughout Northern Utah, presenting its whimsical and humorous message to elementary school children. Following are some images from the Opening Night Gala!
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Until Next Time, Microburst

July 26, 2022 12:00 AM
by Holly Mancuso, dramaturg After a successful run, Microburst Theatre Festival has wrapped up for this year. If you missed it, make sure you join us next year for a fresh round of new plays written by students. As part of the show we created boards for the lobby highlighting each of the shows. Different drafts showed how much these plays have changed since the first drafts, which was fun for audiences to see. [caption id="attachment_3667" align="aligncenter" width="3264"] The Microburst lobby display[/caption] As part of this process, the production team has grappled with the question: "Why new plays?" This is a fair concern, since many people don't feel comfortable seeing something with which they aren't familiar. It's also easier to be drawn in by a known name
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It's All So Very... British! (Part 2)

July 26, 2022 12:00 AM
Playwright Philip King knew how to get the laughs. Much of the humor in See How They Run is the contrast of American and English cultures. America's entrance into WWII and subsequent support of the United Kingdom led to many American troops stationed in England. Those troops brought their American culture and customs. Consequently, 1940s Britain was suddenly learning a lot about our culture; some of it they liked and some of it they didn't but Philip King's ability to find the humor in American/England cultural differences contributed to See How They Run's success. BBC America: 10 American Habits Brits Will Never Understand See How They Run's current version was purposefully revised for an American audience. In fact, the play has gone through more than one big change. The original script was a one act farce titled Moon Madness produced at Peterborough Reperatory in 1942. A few years later it went to Comedy Theatre on London's West End and it was there that King added a second act and renamed it See How They Run. [caption id="" align="alignright" width="343"] See How They Run first appeared in London during Hitler's second Blitz of Southern England news1.ghananation.com/international[/caption] Opening night on the West End was an exciting event. Rumor has it that during the show, three bombs dropped on London but even Hitler's Blitz could not stop the laughs. The show continued without a pause but George Gee, the actor playing Clive, later complained that all three bombs dropped during his funniest lines. See How They Run was so successful it continued for 600 more performances. In 1949, the show was once again revised and re-staged, this time in America. King changed Clive and Penelope to American characters to appeal to the local audience. Also, with the end of the Second World War and the rise of the Cold War, the original Nazi intruder was changed to a Russian spy. This is the version we present to you this year.
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