Dreams and Nightmares…Dramaturg’s Note Skip to main content
2021-2022 Season

Dreams and Nightmares…Dramaturg’s Note

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What dreams have you or are you daring to dream?

What fears have you or are you facing?

The ten opera scenes are a range of both dreams and nightmares. From the daydreaming Hansel and Gretel and Cosi fan tutte, to the nightmarish witches of Macbeth; and from the dreamy-eyed lovers in Midsummer Night’s Dream, The Merry Widow, and The Gondoliers, to the frightful lechery of Don Giovanni and Le comte Ory. From those who are full of life, ambly pursuing their dreams in La fille du régiment to those who face loss of love and life in Ariadne auf Naxos. I too am facing fears, as this is my first foray into opera! I am also daring to dream, as I continue to fulfill my dreams of working in the entertainment industry. Next fall, I’ll be providing dramaturgy for the full operetta, The Merry Widow, a swan song celebrating 50 years in the deJong and the last full opera before the new BYU Music Building is ready; as well as my last year as a dramaturgy student at BYU!

The opera scenes are not randomly chosen, they were matched to the vocal ranges and technical talents of the senior class. If you have the luxury of viewing the lobby display, you’ll see that the opera performers have not only dared to face their fears and write them out, but also write out the dreams they are in the process of daring to dream! Your attendance at the opera doesn’t just support a nice evening out for yourself and peers, it also supports the students who are this year’s Senior Vocalists and next year’s graduate level students seeking grad schools and other career moves. Without you the patron, it would be nearly impossible to provide these budding stars with the foundational professional instructors, academic institutional programs and building, and the opportunities obtained in performing here and around the world. As you read through the cast’s bios you’ll be able to view the next fearful steps they’ll face and the dreams they’re daring to dream!

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by Janine Sobeck, dramaturg Tech week is one of the most exciting moments in any show. It's the time when we get to leave our rehearsal room, move onto stage, and add all of the production elements. To help the actors adapt to all the changes we usually make a gradual transition. Pre-tech: While still in the rehearsal room, actors are given certain rehearsal props and costumes to help them in the creation of their characters. In the case of Princess Academy, all the girls were given rehearsal skirts and all the characters were given rehearsal books and and other items (such as the miri flower). We also added all of the instruments used in the show. Tech day 1: The first day of tech included adding the set and sound. One of the biggest changes for our actors is the ramps on our stage. They finally had the opportunity to climb the mountain! Tech day 2: It's time to add the props! In order to support Director Megan Sanborn Jones' vision of the show, prop designer Scott Jackson made all of the props out of paper, letters, and books. Tech days 3-4: This is what we call an "All Tech." The final elements of the show (lights, costumes, and make-up) are added into the mix. Day 3 is spent working through all the cues in act 1 and day 4 is spent working through act 2. Tech days 5-7: The time has come to run the show! These are our dress rehearsals, where the goal is to do the show exactly as if it was a real performance. This means starting at our normal curtain time and trying to never stop. The director, playwright, dramaturgs, and designers sit in the audience making notes about what is working and what still needs to change. At the end of the nights, the actors and designers are given feedback and we rehearse any moments that need some extra attention. Tech day 8: Which is today! Tonight is the time when we finally get to add the final element of the show: the audience! Our final day of tech is known as the "preview performance." Friends, families, and students are invited to see the show before we officially open. While we always reserve the right to stop the show if necessary (it is, after all, still a rehearsal), we hope that everything will go smoothly!
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