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2016-2017 Season

Welcome to Victorian London

Can you hear the sounds of Victorian England coming to life all around you? Do you hear the clopping of the horse drawn carriages as they go down the street? Can you smell the scented perfume of a wealthy woman who just walked by? What about the sight of St. Paul’s Cathedral just peaking over the buildings?

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If you can’t, no matter, you will in time. By the time I am through with you, you will have a good understanding of how the Victorians lived. I plan to take you back to the world that
Oscar Wilde wrote, resided, and struggled in. What better way to see and absorb a show than to first understand its origins and inspirations?

Good day to all of you reading this post! My name is Jessa Cunningham, and I am the dramaturg of BYU’s production of The Importance of Being Earnest. I will be updating this page with posts weekly pertaining to our production. The posts may range from historical information, rehearsal insights, or other valuable tidbits I think you should know. This is only one of many, so keep coming back for more content! It will be a pleasure exploring this world with you.

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Being a white woman, I have no place to make commentary on Native American/Indigenous People’s lives and their culture. So work on this production was very hard to approach because we needed the points of view that the characters strive for in the play but we needed actual resources. Through The Tribe of Many Feathers and some other connections, I was able to find Cheyanne Elton who is of Navajo descent, dancing in the Living Legends Native American Section (with a minor in American Indian Studies), and Naabaahii Tsosie who is also of Navajo descent. He is the previous President of the Tribe of Many Feathers at BYU, and he also travels the world dancing Native American dance. Both were able to come and were willing to talk with the cast about their families and their connections with the culture. After the cast did some research and sent me questions for the special guests, Cheyanne and Naabaahii were prepared to share their perspectives. They both have connections with the Navajo tribe and were very willing to talk about their experiences as well as their families’ experiences, jobs on reservations, experiences they’ve had with racism, and their thoughts on representation. They answered many hard questions.
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In honor of 4th Wall Dramaturgy, here’s a quick Q &A with members of the Opera Team for the Dreams and Nightmares Opera Scenes. Scroll down to learn about our team!
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