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2016-2017 Season

Mary Poppins’ Novels, Movie And Musical

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Whenever you adapt a story from one medium to another, there are going to be changes. In the cast of Mary Poppins, taking the story in the original book to the silver screen and to the stage has resulted in too many changes to count!

A student dramaturg for a different production (Andrew Koenig) made the following chart to reveal some of the changes that have happened to the central characters. I’ve added a fourth column (BYU production) in hopes that you will think about the differences you see on our stage. After you’ve seen the show, I hope that you will come back and leave your insights in the comments below.

NovelsMovie Musical BYU Production
Creator P.L. TraversScreenplay by Bill Walsh
& Don DaGradi
Composition by the Sherman Brothers Directed by Robert Stevenson
Script by Julian Fellowes Music by The Sherman Brothers and George Stiles Directed by Richard EyreBased on Disney Musical. Directed by George D. Nelson. Musical Direction by Gayle Lockwood. Choreographed by Becky Phillips and Jenny Tingey Giauque
Mary Mary is very vain and strict. She frequently stops to stare at her reflection in shop windows.Mary Poppins is firm but kind, she disciplines the children but always maintains a certain warmth in her character.Mary is a quirky blend of fun, aloof and mysterious. She is on a mission to bring the Banks family together.Performed by Cassie Austin and Sariah Hopkin
Bert Bert is a minor character, appearing in only a few chapters as a chalk artist and a Matchman (match salesman) but not a sweep.Bert is Mary Poppins long time friend and something of a sidekick. He is an artist and a chimney sweepBert helps to open the eyes of the children to a social class outside their own and “sweeps” them up in Mary’s adventuresPerformed by Caleb Jensen
Mr. Banks Mr. Banks rarely makes an appearance. He shows up every now and then, frustrated by the children or terrified of Miss Andrew.Mr. Banks cares for his family but is distant from them, focusing instead on his jobMr. Banks is distant from his family because of the distance he felt from his own parents and the discipline he suffered under Miss Andrew.Performed by Nick Summers
Mrs. Banks Mrs. Banks is concerned with the duties of being a housewife in the early 1900’s, hosting parties and generally aiding Mr. Banks.Mrs. Banks is a suffragette fighting for women’s rights while still gently loving her husband and caring very much for her family.Mrs. Banks is an aspiring, yet unsuccessful actress who is struggling to discover what it means to be a good wife for her husband and mother for her children.Performed by Carolyn Keller
The Banks Children There are five Banks children, Jane is the oldest, followed by Michael and then their twin siblings, John and Barbara, and finally the youngest, Annabel.Jane and Michael are the only two Banks children. They are troublemakers, but the behavior stems from a desire to connect to their fatherJane and Michael are the Banks children. They have many preconceived ideas about how the world works that are not necessarily true.Performed by Elise Jones and Connor Phillips
Miss Andrew Miss Andrew is Mr. Banks old nanny who is hired after Mary Poppins leaves. Mary Poppins returns and locks her in a bird cage.Miss Andrew does not make an appearance in the filmMiss Andrew is the anti-Mary Poppins. She is a dictator who is partially responsible for the emotionally distant man that Mr. Banks has become.Performed by Alana Jeffery

Want to learn even more about the history of the theatrical production? Here is a wonderful (and short) clip from Disney Mary Poppins’ educational series: From Literary Inspiration to the Silver Screen.

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Simple is Best [caption id="" align="aligncenter" width="640"] Indeed.[/caption] by Adam White, dramaturg I write this blog post on the day of final dress rehearsal, on the eve of opening night! Everyone involved in this production of A Man for All Seasons has done marvelous work; the set and costuming and make up are all beautiful, and the cast is eager to put their performance in front of a live audience. I guess one could wonder if a dramaturg would give anything but a glowing report of their play that's about to go up, but quite truthfully: I'm eager for you to see this play! On the subject of wanting you to see our production of A Man For All Seasons, I want to relay to you an interesting experience I had just two day ago. Every BYUarts theatre production gets a promotional video, and I was asked by the video makers in charge of the promotional video to be interviewed for the piece on A Man for All Seasons. I accepted, and when I was in the interview, they had two questions for me: 1.) What is A Man for All Seasons about? 2.) Why should people go see A Man for All Seasons? As a dramaturg, I had a great answer for number one. Summarizing the events of this play in an interesting way was no problem. But that second question? That question gave me the hardest time! In the interview moment I was so flustered by my lack of an a concise answer. I quickly babbled out some gibberish to the camera man, after which I apologized and told him if he needed something more intelligible he shouldn't hesitate to call me back. Needless to say I was pretty embarrassed after the experience. Here's the thing: I'm the dramaturgy for this show. I should have some insight as to why people should go see this play (and I do). As I've thought about this experience and about my work as a dramaturg, I've come to the realize that in this situation what I needed was simplicity. Simple is best. See, during that brief interview with the promotional video guys, I was trying to make up a reason for people to see this show that sounded meaningful, or at least scholarly. That wasn't the right attitude for me at all because it meant that I was reaching beyond the play, maybe for selfish reasons, to lend what I deemed to be credibility to a piece of art that, maybe, doesn't need to be legitimized at all. I was being long-winded and downright silly. What the play really needed was for me to speak its simple 'truth.' To redeem myself a little bit and to put my new motto for dramaturgy into practice, I will tell you why I think people should see A Man for All Seasons. I firmly believe, in the words of Oscar Wilde, that "Life imitates art far more than art imitates Life." This play, this conflict between Thomas More, his family, and King Henry VIII, informs our understanding of what it means to have a conscience. Bolt challenges us to explore what it means to have an integrity and what having integrity means in our most intimate relationships. Also revealed in this play is the corrupting influence of political power. I think that every person grapples with these themes, experiences, and issues.A Man for All Seasons is an important play for people to see. The promotional video guys didn't end up using my interview for the promotional video. Frankly, I feel so relieved; it was awful. May you forego the trappings of intelligent-sounding language the next time you are in an interview. Enjoy the show!
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