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2016-2017 Season

Edmond Rostand: The Man Behind the Play

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An important part of understanding a play – and the message behind it – is understanding the playwright. As you read this brief biography of Edmond Rostand, and prepare to watch Cyrano De Bergerac, try and guess which events in Edmond Rostand’s life had an impact on him while writing his masterpiece.

Edmond Eugene Alexis Rostand was born April 1, 1868 in Marseille, France. His father was a skilled and wealthy journalist. Edmond received a law degree in Paris, but his true passion was playwriting.

His plays were known for being cheerful and inspiring, despite most of them ending in tragedy. They were also greatly inspired by literature from the middle ages. At the age of 26, he wrote his first successful play, The Romancers. Finally, in 1897, he wrote Cyrano De Bergerac: A Comedy in Five Acts, which was widely considered his crowning achievement. His fame quickly became worldwide, and he is to this day one of the most widely known playwrights of his time.

In 1902 he was the youngest man to be welcomed into the French Academy, a famous institution that advised the writing and vocabulary of the French language. While he did enjoy a very successful career in Paris, his poor health eventually forced him to move to the French countryside, where he lived until his death in 1918.

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Some Pig: Final Thoughts with Wilbur

July 26, 2022 12:00 AM
by Jessa Cunningham, dramaturg After the show wrapped up and people went their separate ways, Garret Rushforth, who played Wilbur, and I chatted and I asked him some questions about his experience with the play. What better way to gain insight about the show than from the actor who was in the thick of things from the very beginning? Here is what Garret had to say about this unique opportunity: Me: How was this experience of playing Wilbur? What was your Favorite aspect of it all? Garret: I loved playing Wilbur. My favorite aspect was discovering the character more and more each performance. I never really felt that I had learned all that the character had to offer. Me: What were some challenges that you faced while preparing for the show? Garret: A few of the challenges that I faced had to do primarily with transportation. My car tried to die a couple of times during the run. As far as developing the show goes, I found that the difficulties were mostly in finding the lines. Not simply reciting them, but discovering what was beneath them, motivating them and making them come to life. Me: What lessons have you learned from playing this part, or just from the play in general? Garret: I've learned that there is an amazing opportunity to find out about yourself from the character discovery process. I also learned how much a family the cast can become if given the opportunity. Me: What is your favorite part of this story? Garret: I love when Wilbur and Charlotte talk about Charlotte's death and Wilbur is so devastated. It showed how deep Wilbur's reliance on Charlotte was as well as his desire to help her too. Me: As you leave this production, what will stay with you? Garret: The friendships I've made and the things that I've learned about myself because of the show. Me: What aspects of your character did you love/latch onto from the beginning? Garret: I latched onto the loneliness aspect of Wilbur's life. For all his life, he'd not been given much of a chance, Fern and Charlotte being the exceptions. He was written off by nearly everyone until Charlotte pointed out how special he is. Me: Any final thoughts you would like to share with those who came to the show? Garret: Charlotte's a web was a show that offered a unique view of friendship and family. It doesn't matter what someone looks like or where they're from, friendship and family can transcend all differences.
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From Page to Stage - Working with the English Dept.

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This coming week we have an exciting opportunity to hear from members of the BYU English Department. During the summer, as we geared up for rehearsals and the production in the fall, Shelley Graham and I talked about how we could get more departments here on BYU campus involved with the productions. It occurred to me that we had a special opportunity here, since this play was an adaptation from the Victorian novel George Eliot wrote. Through some help, I was able to get in touch with Professor
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Opening Night of Midsummer Night's Dream!

July 26, 2022 12:00 AM
Last week, A Midsummer Night’s Dream opened in the Nelke Theatre and it was a great success! Eric and I were pleased to be a part of the opening night and celebrate not only the opening night of the production, but also the 40th anniversary of the Brigham Young University Young Company. In order to set the tone of the evening, patrons were encouraged to check out the lobby display that Eric and I had created for the show. We chose to do a puppet making station, aptly named “The Mechanicals Puppet Making Station” where guests and participants could make their own puppet out of a sock or paper bag. Other craft supplies were provided for the participants—allowing them to use their imagination and create a unique puppet that they could take home. Creating such a lobby display, we hoped to provide patrons, and especially children, with an opportunity to use their imagination and create something special, as well as connect with the style of the production before seeing the show. The role of puppetry is crucial to this adaptation of Shakespeare’s Midsummer Night’s Dream—and we wanted to capture this and incorporate it whatever lobby display we chose. The actor’s hard work and rehearsal, as well as that of the production team, paid off—they did a marvelous job in telling the story of these loopy lovers and the adventures that take place in the magical forest. The puppetry skills and acting chops of the actors, the enchanting costumes, simple set design, and energy from the whole cast was thoroughly enjoyed by the very diverse and supportive audience. It was a packed house: if not sold out, very close. And this definitely contributed to the energetic feeling that pervaded the evening. Perhaps it was the presence of so many alumni from the Young Company that had come to support the production and celebrate the 40th anniversary of the formation of Young Company. Among the guests at the premier were Harold Oaks, founder of the BYU Young Company. Following the play, a presentation was made outlining and honoring the history and legacy of Young Company. Young Company has done an outstanding job for the last 40 years in providing quality theatre (adaptations and original works alike) for children that may not be exposed to the performing arts. A wonderful reception followed the presentation and was well enjoyed by cast and crew alike. A Midsummer Night’s Dream closes at BYU this Saturday, the 14th. Make sure to get your tickets soon and catch this unique production while you can! It will then go on tour throughout Northern Utah, presenting its whimsical and humorous message to elementary school children. Following are some images from the Opening Night Gala!
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