The Web: Charlotte’s World Part 1 Skip to main content
2015-2016 Season

The Web: Charlotte’s World Part 1

When you come to see our production, you will see that Charlotte’s famous web is not what you expect. Directors Shawnda and Bradley Moss wanted to give the spider’s home a unique twist, so whenever Charlotte is in her web, she will be on aerial silks.

Here’s some information on aerial silks so you’ll know what to expect when you come to see the show!

Aerial and acrobatic arts have existed for centuries, dating back to 2000 BC. The modern form of aerial arts, known as Nouveau Cirque, was created only several decades ago in the 1970s. From this sprang the world-renowned Cirque du Soleil, which used dazzling acrobatic acts and spectacle to draw in audiences from all over. André Simard, a member of Cirque’s creation team, created this new art form in the early 1990s. The aerial silks allows the performer to have a secure safety line so that they can artfully and carefully execute difficult stunts in mid-air.

0000043-300x125.jpg

The aerialist uses the silks to climb up high in the air–sometimes 20ft and higher– and then uses it to wrap it around their body and do tricks such as swing, fall, spiral etc. Due to the nature of the art form, safety harnesses and lines cannot be used, as they could get tangled up in the fabric and risk injury for the performer.

Aerial silks create a beautiful and awe-inspiring phenomenon for the audience, but it is extremely trying on those who do it. Extensive training is required in order to pull off this difficult technique, and here at the 4th Wall we get a closer look at what that training entails! Stay tuned for the next post when the secrets of Charlotte’s Web are revealed by none other than our resident Charlotte herself!

Related Articles

data-content-type="article"

Moving to the Cherry Orchard

March 20, 2025 08:14 PM
After months of rehearsing on a taped cement floor with acting blocks in place of benches and frames in place of doors, the company finally moves to the theatre space, to a stage with levels and furniture, working doors and chairs out in the audience. The beloved cherry orchard feels so much more real now.
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

“That’s How Things Are”: The Weight of Waiting in The Cherry Orchard

March 20, 2025 03:10 PM
Near the end of his life, Anton Chekhov who had suffered from tuberculosis and depression throughout his life, decided to move to the seaside town of Yalta in order to heal. On January 18, 1904, he wrote to his wife, the actress Olga Knipper, “I’m writing The Cherry Orchard very slowly. Sometimes I feel it’s a success, sometimes a failure…It’s all very ordinary, but that’s how things are, unfortunately.”
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

Study Guide for The Cherry Orchard

March 11, 2025 10:53 AM
For this production we are trying something new! You'll still see some dramaturgical information in your printed program, including the dramaturg's note, "The Weight of Waiting in The Cherry Orchard."
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=