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2015-2016 Season

The Web: Charlotte’s World Part 1

When you come to see our production, you will see that Charlotte’s famous web is not what you expect. Directors Shawnda and Bradley Moss wanted to give the spider’s home a unique twist, so whenever Charlotte is in her web, she will be on aerial silks.

Here’s some information on aerial silks so you’ll know what to expect when you come to see the show!

Aerial and acrobatic arts have existed for centuries, dating back to 2000 BC. The modern form of aerial arts, known as Nouveau Cirque, was created only several decades ago in the 1970s. From this sprang the world-renowned Cirque du Soleil, which used dazzling acrobatic acts and spectacle to draw in audiences from all over. André Simard, a member of Cirque’s creation team, created this new art form in the early 1990s. The aerial silks allows the performer to have a secure safety line so that they can artfully and carefully execute difficult stunts in mid-air.

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The aerialist uses the silks to climb up high in the air–sometimes 20ft and higher– and then uses it to wrap it around their body and do tricks such as swing, fall, spiral etc. Due to the nature of the art form, safety harnesses and lines cannot be used, as they could get tangled up in the fabric and risk injury for the performer.

Aerial silks create a beautiful and awe-inspiring phenomenon for the audience, but it is extremely trying on those who do it. Extensive training is required in order to pull off this difficult technique, and here at the 4th Wall we get a closer look at what that training entails! Stay tuned for the next post when the secrets of Charlotte’s Web are revealed by none other than our resident Charlotte herself!

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Some Pig: Final Thoughts with Wilbur

July 26, 2022 12:00 AM
by Jessa Cunningham, dramaturg After the show wrapped up and people went their separate ways, Garret Rushforth, who played Wilbur, and I chatted and I asked him some questions about his experience with the play. What better way to gain insight about the show than from the actor who was in the thick of things from the very beginning? Here is what Garret had to say about this unique opportunity: Me: How was this experience of playing Wilbur? What was your Favorite aspect of it all? Garret: I loved playing Wilbur. My favorite aspect was discovering the character more and more each performance. I never really felt that I had learned all that the character had to offer. Me: What were some challenges that you faced while preparing for the show? Garret: A few of the challenges that I faced had to do primarily with transportation. My car tried to die a couple of times during the run. As far as developing the show goes, I found that the difficulties were mostly in finding the lines. Not simply reciting them, but discovering what was beneath them, motivating them and making them come to life. Me: What lessons have you learned from playing this part, or just from the play in general? Garret: I've learned that there is an amazing opportunity to find out about yourself from the character discovery process. I also learned how much a family the cast can become if given the opportunity. Me: What is your favorite part of this story? Garret: I love when Wilbur and Charlotte talk about Charlotte's death and Wilbur is so devastated. It showed how deep Wilbur's reliance on Charlotte was as well as his desire to help her too. Me: As you leave this production, what will stay with you? Garret: The friendships I've made and the things that I've learned about myself because of the show. Me: What aspects of your character did you love/latch onto from the beginning? Garret: I latched onto the loneliness aspect of Wilbur's life. For all his life, he'd not been given much of a chance, Fern and Charlotte being the exceptions. He was written off by nearly everyone until Charlotte pointed out how special he is. Me: Any final thoughts you would like to share with those who came to the show? Garret: Charlotte's a web was a show that offered a unique view of friendship and family. It doesn't matter what someone looks like or where they're from, friendship and family can transcend all differences.
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From Page to Stage - Working with the English Dept.

July 26, 2022 12:00 AM
This coming week we have an exciting opportunity to hear from members of the BYU English Department. During the summer, as we geared up for rehearsals and the production in the fall, Shelley Graham and I talked about how we could get more departments here on BYU campus involved with the productions. It occurred to me that we had a special opportunity here, since this play was an adaptation from the Victorian novel George Eliot wrote. Through some help, I was able to get in touch with Professor
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Games and Activities Inspired by this Fishy, Wishful Tale (Part 2)

July 26, 2022 12:00 AM
The cast has been participating in workshops with Teresa Love, an adjunct professor at BYU who teaches theatre for the elementary classroom, storytelling, and adapts many of the TYA plays performed on the BYU stage. (Fun fact: She wrote the script to BYU's most recent mainstage play, The Selfish Giant.) She is currently helping the cast of The Fisherman and His Wife construct a post-show interactive workshop for 3rd graders. These workshops will take place after the students have seen the show performed at their elementary school. In the images below, the cast and stage manager collaborate to first establish, then create frozen images of the play's themes: CONTENTMENT, POSSIBILITIES, DESIRE, UNSATISFIED, REVERSED, HAPPY. Overall Message: BE CAREFUL WHAT YOU FISH FOR! Can you see any of these themes or messages represented in the poses below? MORE WORKSHOP PICTURES TO COME!
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