• 2013-2014 Season,  Pride and Prejudice

    TECH HAPPENS

    By Anne Flinders, dramaturg Brigham Young University’s production of Pride and Prejudice opens this coming Friday, March 21st, which means the week leading up to those final dress rehearsals and opening night is dedicated to technical rehearsals, a.k.a. tech week. This is the week the cast begins rehearsing on the set in the Pardoe Theatre; the lights are hung, focused and finalized by the light designer and crew; the sound is equipped and cued by the sound designer; the set dressings and props are labeled and placed, and the costumes are “paraded” (or worn by the actors onstage) for one last, long, decisive look by the costume designer and staff. This…

  • 2012-2013 Season,  Servant of Two Masters

    In the Midst of Tech

    by Janine Sobeck, dramaturg Friday night, The Servant of Two Masters entered the newest phase of rehearsal: tech.  Technical Rehearsals (most commonly known as “tech”) is when we leave the classroom we’ve been rehearsing in and move on stage.  One by one, the technical elements of costume, make-up, lights, sound, and props are added, and every night we get a little closer to having the full show on stage. For this show, the first order of business was spacing.  With the nature of the set, the cast needed time to see how blocking they’ve been practicing worked with the backdrop (with its door and shutters), the fountain, the ropes, and…

  • 2012-2013 Season,  Servant of Two Masters

    Adventures in LA

    by Janine Sobeck, dramaturg For the last week, a majority of the cast and production team for The Servant of Two Masters traveled with a group from the BYU theatre department to Los Angeles for the Kennedy Center American College Theatre Festival (KCACTF). Though out the year, colleges and universities from around the country are judged on the different shows they produce – everything from the acting to the design to the dramaturgy to the stage management.  Students have the possibility to be nominated for different awards and then every year they come together at KCACTF to compete.  KCACTF starts as a regional competition (Utah is in Region 8, along…

  • 2012-2013 Season,  Phantom of the Opera

    End of Phantom Tech Week

    by Nicholas Sheets, dramaturg The time has come for the actors to rest before opening night. They have gone through an arduous week of tech rehearsals. However, even before the actors began to go live on stage, the production crew gathered together for what is called “paper tech” rehearsal. Paper tech is a rehearsal where the stage manager, lighting designer, stage designer, sound designer, costume designers, and just about every person involved in the technical aspect of the show, gather together and make sure all their notes coincide. Since I wasn’t part of the technical crew I went to see first-hand what goes on in these meetings. While incredibly dry…

  • 2012-2013 Season,  A Second Birth

    A Playwright’s Perspective: Tech Week

    by Ariel Mitchell, playwright Tech week. Each night it becomes more real. Every layer we add to the production (set, costumes, lights, music) helps me to see the world more clearly. I came into production photos last Wednesday and saw the costumes for the first time. The whole cast was in Afghani clothing. I was surprised. I don’t know why. I mean, it’s not like they were going to perform the play in street clothes! And I did set the piece in Afghanistan. I didn’t recognize any of the actors, but all it took was close to solidify them into the characters they had already become: Nasima, Yasir, Laila, Azadeh,…