• 2013-2014 Season,  Pride and Prejudice

    TECH HAPPENS

    By Anne Flinders, dramaturg Brigham Young University’s production of Pride and Prejudice opens this coming Friday, March 21st, which means the week leading up to those final dress rehearsals and opening night is dedicated to technical rehearsals, a.k.a. tech week. This is the week the cast begins rehearsing on the set in the Pardoe Theatre; the lights are hung, focused and finalized by the light designer and crew; the sound is equipped and cued by the sound designer; the set dressings and props are labeled and placed, and the costumes are “paraded” (or worn by the actors onstage) for one last, long, decisive look by the costume designer and staff. This…

  • 2012-2013 Season,  Servant of Two Masters

    A Designer’s Mind

    by Lyndi Sue Mecham, Costume Designer and Janine Sobeck, dramaturg As so many of the design elements for a show need to work together in harmony, designers often collaborate with one another, sharing ideas, thoughts, and inspirations.  In the case of The Servant of Two Masters, one collaboration was between Costume Designer Lyndi Sue Mecham and BYU’s Hair and Make-up Supervisor Janell Turley.  Turley was creating the wigs for a few characters and came to Mecham to discuss how the wig could enhance the design of the costumes.  Here is a look at what inspirations and ideas Mecham shared in order to help Turley create the perfect wig for the…

  • 2012-2013 Season,  Servant of Two Masters

    In the Midst of Tech

    by Janine Sobeck, dramaturg Friday night, The Servant of Two Masters entered the newest phase of rehearsal: tech.  Technical Rehearsals (most commonly known as “tech”) is when we leave the classroom we’ve been rehearsing in and move on stage.  One by one, the technical elements of costume, make-up, lights, sound, and props are added, and every night we get a little closer to having the full show on stage. For this show, the first order of business was spacing.  With the nature of the set, the cast needed time to see how blocking they’ve been practicing worked with the backdrop (with its door and shutters), the fountain, the ropes, and…

  • 2012-2013 Season,  Gone Missing/Cleverest Thief

    People or Projections?

    by Ariel Mitchell, dramaturg “Devised theatre is a personal stretch for me. I didn’t choose my major because I love theatre, necessarily, but I do love the creativity that devising gives to the discipline. Building a play moment by moment is challenging and at times frustrating. The creative process for some people is very individual, but this type of creativity feeds on collaboration. I suppose that is the part I like best is the push towards creative collaboration.” -Chelsey Roberts, costume designer and performance writer One of the main goals we had for Gone Missing and The Cleverest Thief, was to incorporate new media with the traditional in a new way.…

  • 2012-2013 Season,  Phantom of the Opera

    Behind-the-Scenes with the Phantom Costume Designers

    by Nicholas Sheets, dramaturg The other day I visited the basement of the HFAC, known for its labyrinth-like feel and lack of sunlight (there are no windows). I navigated the halls until I arrived at the Costume Studio. I was curious as to what was going on in terms of costume making for Phantom. There are three design teams working on the costumes for our production. One team is working on the costumes found in the three operas within the musical. The first opera is Hannibal. This is the scene where we return to the opera house and Carlotta is singing. During this practice the new opera owners enter: André…

  • 2012-2013 Season,  Holiday

    Design Insights-Holiday Costume Concept

    by Mallory Mckey, Co-Costume Designer In the early stages of my design work as I was finding images and researching—I was trying to think of some way each character was connected. I was also trying to find my color palette. I’m a visual person and I love seeing color and texture.  I was thinking about gold and silver a lot for some of the characters, and then I realized that was the connecting piece. Gold, silver, and money!  Once I hit on that idea, there was no stopping me.  I immediately started looking up pictures of money and specific bills and coins.  The more I looked, the more I could visualize…

  • 2012-2013 Season,  A Second Birth

    A Playwright’s Perspective: Tech Week

    by Ariel Mitchell, playwright Tech week. Each night it becomes more real. Every layer we add to the production (set, costumes, lights, music) helps me to see the world more clearly. I came into production photos last Wednesday and saw the costumes for the first time. The whole cast was in Afghani clothing. I was surprised. I don’t know why. I mean, it’s not like they were going to perform the play in street clothes! And I did set the piece in Afghanistan. I didn’t recognize any of the actors, but all it took was close to solidify them into the characters they had already become: Nasima, Yasir, Laila, Azadeh,…