• 2012-2013 Season,  Servant of Two Masters

    A Designer’s Mind

    by Lyndi Sue Mecham, Costume Designer and Janine Sobeck, dramaturg As so many of the design elements for a show need to work together in harmony, designers often collaborate with one another, sharing ideas, thoughts, and inspirations.  In the case of The Servant of Two Masters, one collaboration was between Costume Designer Lyndi Sue Mecham and BYU’s Hair and Make-up Supervisor Janell Turley.  Turley was creating the wigs for a few characters and came to Mecham to discuss how the wig could enhance the design of the costumes.  Here is a look at what inspirations and ideas Mecham shared in order to help Turley create the perfect wig for the…

  • 2012-2013 Season,  Servant of Two Masters

    In the Midst of Tech

    by Janine Sobeck, dramaturg Friday night, The Servant of Two Masters entered the newest phase of rehearsal: tech.  Technical Rehearsals (most commonly known as “tech”) is when we leave the classroom we’ve been rehearsing in and move on stage.  One by one, the technical elements of costume, make-up, lights, sound, and props are added, and every night we get a little closer to having the full show on stage. For this show, the first order of business was spacing.  With the nature of the set, the cast needed time to see how blocking they’ve been practicing worked with the backdrop (with its door and shutters), the fountain, the ropes, and…

  • 2012-2013 Season,  Gone Missing/Cleverest Thief

    People or Projections?

    by Ariel Mitchell, dramaturg “Devised theatre is a personal stretch for me. I didn’t choose my major because I love theatre, necessarily, but I do love the creativity that devising gives to the discipline. Building a play moment by moment is challenging and at times frustrating. The creative process for some people is very individual, but this type of creativity feeds on collaboration. I suppose that is the part I like best is the push towards creative collaboration.” -Chelsey Roberts, costume designer and performance writer One of the main goals we had for Gone Missing and The Cleverest Thief, was to incorporate new media with the traditional in a new way.…

  • 2012-2013 Season,  Servant of Two Masters

    A Run for the Designers

    by Janine Sobeck, dramaturg For The Servant of Two Masters, the first two weeks back in school have been focused creating the foundation of the show.  Lines have been memorized, characters have started to develop, the overall blocking (movement of the actors) has been set, and the beginning ideas for all the lazzi moments in the show have begun to sprout.  So much creation has been done, that the next step was to do a Designer Run. A Designer Run is the first moment that the cast performs the show all the way through for the designers.  While still very much in the beginning stages, it gives the designer’s the…

  • 2012-2013 Season,  Phantom of the Opera

    The Power of Spectacle in BYU’s Phantom

    by Nicholas Sheets, dramaturg As The Phantom of the Opera continues to show strong at BYU I began to reflect a little on the power of the spectacle, due in part to my love for works by Andrew Lloyd Webber. Other musicals by Webber, besides The Phantom of the Opera, are also very popular: Jesus Christ, Superstar; Cats; Starlight Express; Love Never Dies (the sequel to The Phantom of the Opera); Joseph and the Amazing Technicolor Dreamcoat; and Evita. As the pictures show, there is a lot of eye candy in each of these shows, whether through costumes, musical numbers, scenery, lighting, or even directorial choices. Wherever a Webber musical…

  • 2012-2013 Season,  Phantom of the Opera

    End of Phantom Tech Week

    by Nicholas Sheets, dramaturg The time has come for the actors to rest before opening night. They have gone through an arduous week of tech rehearsals. However, even before the actors began to go live on stage, the production crew gathered together for what is called “paper tech” rehearsal. Paper tech is a rehearsal where the stage manager, lighting designer, stage designer, sound designer, costume designers, and just about every person involved in the technical aspect of the show, gather together and make sure all their notes coincide. Since I wasn’t part of the technical crew I went to see first-hand what goes on in these meetings. While incredibly dry…

  • 2012-2013 Season,  Phantom of the Opera

    Behind-the-Scenes with the Phantom Costume Designers

    by Nicholas Sheets, dramaturg The other day I visited the basement of the HFAC, known for its labyrinth-like feel and lack of sunlight (there are no windows). I navigated the halls until I arrived at the Costume Studio. I was curious as to what was going on in terms of costume making for Phantom. There are three design teams working on the costumes for our production. One team is working on the costumes found in the three operas within the musical. The first opera is Hannibal. This is the scene where we return to the opera house and Carlotta is singing. During this practice the new opera owners enter: André…

  • 2012-2013 Season,  Gone Missing/Cleverest Thief

    Design and Dramaturgy

    by Ariel Mitchell, dramaturg This past week, our Gone Missing production team has broken into groups: Design and Dramaturgy. The designers will focus on how the show will look, how many screens we need, how we will use lighting, costumes, and projections to tell the stories of loss outlined in Gone Missing and The Cleverest Thief. Meanwhile the dramaturgy group will be workshopping the moments we have chosen into a text that the actors can memorize and use. Basically what this means is that the four main writers will each take one moment we have chosen home. They will treat it as it’s own play thinking of traditional plot structure (inciting incident, rising…

  • 2012-2013 Season,  Holiday

    Design Insights-Holiday Costume Concept

    by Mallory Mckey, Co-Costume Designer In the early stages of my design work as I was finding images and researching—I was trying to think of some way each character was connected. I was also trying to find my color palette. I’m a visual person and I love seeing color and texture.  I was thinking about gold and silver a lot for some of the characters, and then I realized that was the connecting piece. Gold, silver, and money!  Once I hit on that idea, there was no stopping me.  I immediately started looking up pictures of money and specific bills and coins.  The more I looked, the more I could visualize…