• 2012-2013 Season,  Gone Missing/Cleverest Thief

    People or Projections?

    by Ariel Mitchell, dramaturg “Devised theatre is a personal stretch for me. I didn’t choose my major because I love theatre, necessarily, but I do love the creativity that devising gives to the discipline. Building a play moment by moment is challenging and at times frustrating. The creative process for some people is very individual, but this type of creativity feeds on collaboration. I suppose that is the part I like best is the push towards creative collaboration.” -Chelsey Roberts, costume designer and performance writer One of the main goals we had for Gone Missing and The Cleverest Thief, was to incorporate new media with the traditional in a new way.…

  • 2012-2013 Season,  Henry 5

    “Nice customs curtsy to great kings.” Henry 5 Act 5, Scene 2

    by Anne Flinders, dramaturg Brigham Young University’s Young Company production of Henry 5 will bring with it a different, but perhaps not wholly unusual cast. The title role of King Henry V is being played by Mackenzie Larsen, a pre-acting major. In fact, there are four women in the cast of seven, and only one female role in the script. All the women are playing male roles. Making a cross-gender casting choice in the title role of Henry 5 may come as a surprise to some theatre goers, but it is not without precedent. From the beginnings of professional English theatre in the 1560s to the closure of the theatres…

  • 2012-2013 Season,  A Wrinkle in Time

    A Wrinkle In Time: An Introduction

    by Patrick Hayes, dramaturg Hello 4th Wall Readers! My name is Patrick Hayes and I am the Dramaturg for BYU’s upcoming production of A Wrinkle in Time, directed by Rodger Sorensen. I am very excited for the upcoming production. We have a fabulous cast of actors and an excellent production crew that will be onboard to assure that this production’s version of AWIT is one of the best ever produced. As this is my first venture into social media production blogging I will attempt, with each posting, to leave little snippets of ideas, actor interviews, script excerpts, photos, or other material that will help you, the reader, in gaining an…

  • 2012-2013 Season,  Gone Missing/Cleverest Thief

    Nailing Down the Script (otherwise known as killing babies)

    by Ariel Mitchell, dramaturg Over the course of devising, we have become very attached to certain ideas, interviews and moments. Some of these include a couple who posted a plea on Craigslist for their missing Chihuahua, while warning potential finders not to touch him, or a guy we met at the BYU Creamery on 9th who enthusiastically relayed his story of his lost water bottle (which we then turned into an epic rap battle). We are fond of these moments and people we have come to know and love. But, unfortunately, we have too many wonderful moments to fit into our 30-35 minute play. That means one thing… It’s time to kill our babies. As…

  • 2012-2013 Season,  Servant of Two Masters

    A Director’s Vision: Stephanie Breinholt Imagines Sevant of Two Masters

    by Janine Sobeck, dramaturg If you’ve ever had the opportunity to see a Stephanie Breinholt show at BYU, then you know that she loves to take classical texts and bring them to life with big, bold choices.  Her upcoming production of The Servant of Two Masters is no different. One of Stephanie’s favorite classical texts, Servant is full of crazy characters, zany antics and extreme situations.  Stephanie wants to emphasize the cartoon aspects of the script, creating a modern interpretation that is bright, colorful and hilarious. In Stephanie’s original pitch for the show, she described the following: “I would like the piece to feel like a 3-D version of a…

  • 2012-2013 Season,  Holiday

    Design Insights-Holiday Costume Concept

    by Mallory Mckey, Co-Costume Designer In the early stages of my design work as I was finding images and researching—I was trying to think of some way each character was connected. I was also trying to find my color palette. I’m a visual person and I love seeing color and texture.  I was thinking about gold and silver a lot for some of the characters, and then I realized that was the connecting piece. Gold, silver, and money!  Once I hit on that idea, there was no stopping me.  I immediately started looking up pictures of money and specific bills and coins.  The more I looked, the more I could visualize…

  • 2012-2013 Season,  A Second Birth

    A Playwright’s Perspective: Creating a World

    by Ariel Mitchell, playwright I’m not a playwright who really pictures things. If you asked me about any of my characters, I would be able to tell you all about what they think, who they are, and how they sound, but ask me what their hair color is and I stare at you like you have three heads. I am one of those people who will read a book and picture the characters as faceless blobs until the movie comes out to tell me what they look like. It’s terrible, I know. Especially when it came to casting. I’m just glad I didn’t have to make the final decision. I…