• 2013-2014 Season,  Pride and Prejudice

    Audience Dramaturgy: Your Turn to Ask Questions about PRIDE AND PREJUDICE

    By Anne Flinders One of the traditions at BYU theatre productions is the weekly Thursday night post-show discussion. The post-show discussion is always a great way to get a behind-the-scenes peak at how a play is put together. Any audience members who choose to do so are invited to remain after a play to visit with the cast members and designers and ask them questions about their work. Last week the first post-show discussion was held for PRIDE AND PREJUDICE, and there was a great turnout. The event was moderated by the production dramaturg, Anne Flinders. Members of the audience asked the cast questions about things like acting choices, their…

  • 2013-2014 Season,  Pride and Prejudice

    Animals Backstage at Pride and Prejudice Rehearsal

    Excerpts from an article by Marvin Payne (appearing as Mr Bennet in BYU’s production of Pride and Prejudice) I’m in rehearsals for a production of Pride and Prejudice “down to the BY,” as my wife’s grandfather would have said. I’m Mr Bennet (the British don’t punctuate “Mr”). For rehearsals involving only the Bennet family, I’ve typically been the only guy in the room—totally female family, female director, female production staff, and two female dramaturgs. A word about dramaturgs: Good luck defining what the heck one is, besides brainy and nice and one of them has a dog that acts (in this very show!). I think the definition of “dramaturg” is…

  • 2012-2013 Season,  Holiday

    Fireworks, New Year’s Tradition, and Artistic Decision

    by Bianca Morrison Dillard, dramaturg Fireworks have been a New Year’s tradition in this country since I’ve been alive; we see them particularly on New Year’s and the 4th of July. They connote celebration, excitement, awe, the new year, love of country, and that excited feeling you get during a really great kiss! As a visual symbol, they are pretty packed when it comes to meaning. Holiday is a play that rings in the new year on stage. Our director, Barta Heiner, was toying with the idea of “fireworks” being seen through a window on stage as the play clocks in the new year, so she asked me if the…