Skip to main content
2012-2013 Season

Ready, Set, Devise!

by Ariel Mitchell, dramaturg

How do you start rehearsing on a play without a script?

Selections from Gone Missing and The Cleverest Thief opens this February in the Margetts theatre at BYU and although we’ve started rehearsals, we don’t yet have a script. Instead we are creating a story through a process called devising.

Gone Missing is a devised piece created by The Civilians, a New York based theatre troupe. Inspired by the attacks on 9/11, they wanted to create a story about loss and losing things. They went around their city (Manhattan) and asked whomever they could find, “What is an object you have lost?” They collected the stories, formed them into monologues, created characters and put them together into a larger piece of theatre full of song, film, and interesting anecdotes that bring new meaning into the idea of “loss.” Inspired by this piece our director, Professor Lindsay Adamson Livingston, decided that we should try this in our own community of Provo, UT.

An image of a production photo from "Civilians Gone missing"

Recently, we were privileged to work with a representative from The Civilians, Emily Ackerman. She sent us out into Provo to interview people. We took the stories we found and presented them in our daily workshops. When we found stories we liked we matched them with stories of similar themes or characters to create a moment. As we continue, we will choose which moments will make it into the show, slowly piecing together our story.

We are aiming to have a first draft of the script in mid-October. But until then we get to go out and collect stories.

So… what’s an object you’ve lost?

Related Articles

data-content-type="article"

Until Next Time, Microburst

July 26, 2022 12:00 AM
by Holly Mancuso, dramaturg After a successful run, Microburst Theatre Festival has wrapped up for this year. If you missed it, make sure you join us next year for a fresh round of new plays written by students. As part of the show we created boards for the lobby highlighting each of the shows. Different drafts showed how much these plays have changed since the first drafts, which was fun for audiences to see. [caption id="attachment_3667" align="aligncenter" width="3264"] The Microburst lobby display[/caption] As part of this process, the production team has grappled with the question: "Why new plays?" This is a fair concern, since many people don't feel comfortable seeing something with which they aren't familiar. It's also easier to be drawn in by a known name
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

"You have been my friend..."

July 26, 2022 12:00 AM
by Jessa Cunningham, dramaturg "You have been my friend. That in itself is a tremendous thing." This is one of the most famous lines from the show, and for good reason. This is how Charlotte expresses her gratitude for Wilbur letting her into his life, and now I would like to use it to thank all of you for letting us involved with the show into your life. Thank you for coming to see us, for interacting with us. All of the Lunch and Learns, the post show discussions, and the interactions with the cast after each performance were all for you. These opportunities brought us closer to you, the audience. We have become friends because of this, and hopefully you all have felt that too. I speak for all of us with the show when I say that we have loved getting to know all of you. The relationships that have been formed because of this show alone would make E.B. White smile. Friendships have been forged within the cast, the design team, the crew, and with you. That truly is an amazing thing, and hopefully that helped you to understand the themes of the play a little better.
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=
data-content-type="article"

It's All So Very... British! (Part 2)

July 26, 2022 12:00 AM
Playwright Philip King knew how to get the laughs. Much of the humor in See How They Run is the contrast of American and English cultures. America's entrance into WWII and subsequent support of the United Kingdom led to many American troops stationed in England. Those troops brought their American culture and customs. Consequently, 1940s Britain was suddenly learning a lot about our culture; some of it they liked and some of it they didn't but Philip King's ability to find the humor in American/England cultural differences contributed to See How They Run's success. BBC America: 10 American Habits Brits Will Never Understand See How They Run's current version was purposefully revised for an American audience. In fact, the play has gone through more than one big change. The original script was a one act farce titled Moon Madness produced at Peterborough Reperatory in 1942. A few years later it went to Comedy Theatre on London's West End and it was there that King added a second act and renamed it See How They Run. [caption id="" align="alignright" width="343"] See How They Run first appeared in London during Hitler's second Blitz of Southern England news1.ghananation.com/international[/caption] Opening night on the West End was an exciting event. Rumor has it that during the show, three bombs dropped on London but even Hitler's Blitz could not stop the laughs. The show continued without a pause but George Gee, the actor playing Clive, later complained that all three bombs dropped during his funniest lines. See How They Run was so successful it continued for 600 more performances. In 1949, the show was once again revised and re-staged, this time in America. King changed Clive and Penelope to American characters to appeal to the local audience. Also, with the end of the Second World War and the rise of the Cold War, the original Nazi intruder was changed to a Russian spy. This is the version we present to you this year.
overrideBackgroundColorOrImage= overrideTextColor= promoTextAlignment= overrideCardHideSection= overrideCardHideByline= overrideCardHideDescription= overridebuttonBgColor= overrideButtonText= promoTextAlignment=